“Cavernous spaces don’t serve family life well so we looked at ways to create connections, to introduce outdoor space while retaining the character of the original building,” she says.
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The old Oh Boy Candy warehouse was converted into a family home for comedian and TV presenter Merrick Watts, his wife and children. One of her celebrated projects (it won an AIA Interior Architecture award) is the repurposing of a raw, robust warehouse in Sydney’s Lilyfield. With off- form concrete, zinc and weathered recycled timbers on the facade there is no doubt it is a high-spec building, but the real luxury is that the generous floorplans allow for large internal courtyards for light and cross-breezes. “Each apartment has an entire level and the floor area is huge, bigger than many houses,” she says.
residential for a longstanding client on a luxury block of apartments on the Gold Coast. Her other major departure is into the realm of multi- Coast apartment block. The House in This is the thing with this architect – clients come back for Country NSW pivots on an old stone cottage. Boutique hotel neighbouring block that complements the hotel.
An extension in success of this project she has since completed a spa on a Kensington, NSW, is ‘grafted’ onto the home. Following the great commercial to family life. For example, conversion retained its original the arches were originally stucco and we redid them in brick as warehouse vibe when adapted a recurring motif,” she says. This original to maintain the vibe and the sense of theatre. We took design cues from the This page, clockwise from top, Ohana House, Byron Bay. “It was a huge job but a really fun one, as we rebuilt everything apart from the ground-floor rooms. Virginia admits she thought it was a joke when she was called for the job but the client had previously bought one of her houses and loved how their life unfolded in that space. One was the refurbishment of Halcyon House, in northern NSW, a classic 1970s motel that has been redesigned as a luxury boutique hotel. Two very different projects have come her way recently. All this I knew of the practice but there is more. The detailing is seamless, the views serene and the house is positioned for the optimum management of light and air. I had visited House in Country NSW in the Upper Hunter, and saw up close how she managed a limited palette of ironbark, rammed earth walls and concrete how she engaged with the site of parallel mountains, and retained the heritage bushman’s stone cottage making it a pivotal point in the plan. Portrait DAVE WHEELER Words K AREN McC ARTNE Y Virginia Kerridge was photographed exclusively for Belle at the Lilyfield warehouse, Sydney.Īrchitecture R I G H T N O W I T H OUG H T I K NEW the work of Virginia Kerridge until I discovered how many more strings she has to her bow than her finely crafted bespoke residences. 52ĬREATING CONNECTIONS Virginia Kerridge cleverly intuits a building’s character then deftly aligns it with its surrounds. You’re not referring to something real you’re referring to a memory and all sorts of things.” Alessandra Joseph This page, clockwise from top left Flowers by Hermetica.
I find more energy and expression and translating that into a painting can be quite an interesting process. With this painting I thought about the space and tried to reinterpret it. I’m at a crossroads – everyone wants you to define yourself as either figurative or abstract. It was really important to me to look at female painters in the contemporary art world and that was a big influence. “I looked at a lot of the female expressionists and contemporary Australian painters. “I’ve just finished at the National Art School and am starting up my own practice,” says Alessandra, aged 23. R I G H T N O W ArtStart Alessandra is a graduate of the National Art School, Sydney, and was awarded third prize of $2500 for her work, Ellery Creek. ArtStart R I G H T N O W These pages, clockwise from top left Online fine wine merchants Magnum + Queens served a selection of fine beverages.
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